Since my Bronica seems to have a light leak, I knew my roll of Astia 100F would have nasty black bars all over it. I developed the Astia (E-6 Color Reversal Film) in Ilfosol 3 for about 10 minutes, and then fixed it my a Kodak fixer. The negatives turned out interesting, and my Ilfosol turned a blood red. They were extremely dense (and black and white of course), which I expected from looking at examples that other people have done. After a little PS work, they didn’t look too bad, and gave it an interesting look. Also the green-magenta-yellow tone was pretty unexpected. Oh, and it had almost no black bars from light leaks… Since my Bronica seems to have a light leak, I knew my roll of Astia 100F would have nasty black bars all over it. I developed the Astia (E-6 Color Reversal Film) in Ilfosol 3 for about 10 minutes, and then fixed it my a Kodak fixer. The negatives turned out interesting, and my Ilfosol turned a blood red. They were extremely dense (and black and white of course), which I expected from looking at examples that other people have done. After a little PS work, they didn’t look too bad, and gave it an interesting look. Also the green-magenta-yellow tone was pretty unexpected. Oh, and it had almost no black bars from light leaks…

Since my Bronica seems to have a light leak, I knew my roll of Astia 100F would have nasty black bars all over it.

I developed the Astia (E-6 Color Reversal Film) in Ilfosol 3 for about 10 minutes, and then fixed it my a Kodak fixer. The negatives turned out interesting, and my Ilfosol turned a blood red.

They were extremely dense (and black and white of course), which I expected from looking at examples that other people have done. After a little PS work, they didn’t look too bad, and gave it an interesting look. Also the green-magenta-yellow tone was pretty unexpected.

Oh, and it had almost no black bars from light leaks…

  1. Date Posted Icon 16th November 2011
  2. Notes Icon Notes: 2
  1. mattwaples posted this